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PREMIERE MAGAZINE
DECEMBER, 2001

"The Cotton Club" by Anna David.

A British artist takes a swab to movie classics.

The sight of a beautiful blond lying in the sand, gazing through the lens of a camera, and taking a picture of a bonnet-wearing Q-tip playing a miniature piano is not one you see everyday. "People thought I was mad," artist Madeleine Farley says. "They kept stopping to ask what I was doing, and I'd say, 'Please go away. I only have 20 seconds of sunlight left.'"

Though she may not have made any freinds that day at the beach, the Brit has been gathering a slew of fans since she began re-creating indelible images from movies using Q-tips instead of actors. (That day at the beach, by the way, she was working on her homage to The Piano.) "I look at what I do as the equivalent of a musician covering a version of a favorite song," says the London-based artist.

Among Farley's creations, which will be shown in Los Angeles this month after a successful run in London, are more than 60 images from such movies as Jaws, A Clockwork Orange, The Silence of the Lambs, The Usual Suspects, Breakfast at Tiffany's, Reservoir Dogs, Titanic, and Easy Rider. Although Farley's work might suggest that she thinks our cinematic icons are as disposable as cotton swabs, she insists that's not her message. "I'm not condemning actors," she says. "I just think they're more a part of something than the be-all, end-all they're treated as nowadays." Studio heads handing out three-picture deals, take note.

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